SILLY is Cocomilk Studio's first homegrown typeface. This typeface, made by Cocomilk designer, Yas Liamco, features curvy, drooping forms and rounded edges that add a sense of fun and silliness to any project!
Thursday, August 26, 2021
Tuesday, July 6, 2021
Rische fonts from Flavortype - (empyu)
Rische is a Family of Variable Display Serif fonts. A Hype of summer themed bring us to expressing a thirsty of creating a product that can help you to choosing a fonts to your creations. Like as we are on the preview above, how the fonts can "stands" within your design. Since Rische are created on a 5 weight from Light, Regular, Medium, Semibold, Bold. You won’t be worried which one to fit to your creative design. Also, You can Mix it up all of it without worrying design collision. Rische also available on with Variable Fonts, so it will generate more weight than the standard fonts, form 100 to 700.
Monday, March 22, 2021
[pvtqrfxsiy] Download Mane Fonts Family From BaronWNM
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Mane is a display font with a slant block shape. thick on the vertical line and thin on the horizontal line. have a firm and solid impression. Suitable for writing titles, posters, games, ad taglines, sports, space, etc. has an alternate start and end on each capital letter and several ligatures in order to add variations to each usage.
Download Mane Fonts Family From BaronWNM |
Tuesday, March 9, 2021
[blphzcpadq] Download Northead Fonts Family From Blankids
Introducing of our new product the name is Northead, the vintage serif font inspired by label beer and vintage signage, Northead is all caps font is good for branding, Packaging, poster, headline, book cover, Flyer, t-shirt design and any more.
Sunday, December 20, 2020
[rzxhhtlrfc] Download Pata Slab Fonts Family From In-House International
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Pata Slab: the ultra-heavy optimism we all need in 2020
Pata Slab is the type equivalent of a catwalk stomp down a city sidewalk, a font that’s assertive, funky and more than a little sexy. Named after a colloquialism for ‘feet’, Pata features ultra-heavy slabs and contrasting hairline centers that rise from its chunky footprint. The resulting, retro-inspired vertiginous curves add instant attitude to any design.
Developed in 2020, Pata is a type of its time.Pata is all upside, as it is a typeface with no descenders — one that elevates all characters to grow upward from the baseline (because, c’mon, we could all use something uplifting right now!) All uppercase characters were built to fit precisely inside a square, so they’re all the same width and height. The lowercase alphabet, eñes, cedillas, punctuation, numbers and symbols all follow the same height restrictions. Despite all that confinement, Pata sports standard-height terminals that connect seamlessly so there’s nearly endless options for modular ligatures. The upshot of all this meticulous awesomeness is that laying out, customizing and stacking text super simple.
Pata Slab was created by In-House International, designed Alexander Wright in collaboration with Rodrigo Fuenzalida. It's available for Opentype format (.otf) compatible with Mac and PC.
Download Pata Slab Fonts Family From In-House International |
Tuesday, March 31, 2020
Download Quizles Fonts Family From Struvictory.art
Quizles is an elegant stencil serif with contrast. The font has classic proportions with bold serifs and fading thin lines. Quizles is easy to use in various design programs or without any program.
The font is suitable for modern and vintage typographic compositions, design of books and fashion magazines, branding, packaging and social media design. Also use individual letters to create logos and monograms.
The font has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.
Quizles serif includes stylistic alternates for symbols: K, k, O, R. There are also ligatures: tt, ff, fi, gi, oo, ll, ra, ga, ca.
Wednesday, January 29, 2020
Download DG Zanardini Fonts Family From DubbioGusto
Zanardini it’s a bold serif display font with a high contrast between the stem width and between sharp and curvy terminals and slab / egyptian serifs. All the glyphs was freehand drawn so the curves are strong and they create more interesting shapes in the negative space between the letters. Use it irresponsibly!