Buco Nero is a modern sensation brush font. Featuring bold in the dark, it offers All Caps font support and multilingual support, Buco Nero is perfect for Movie titles, thrilling titles, distro shirts, spooky content, media socials, and spooky graphic design. Compatible with such as Photoshop, Affinity Design, Adobe Illustrator or Silhouette design studios. Its makes it great for creative projects, whether it’s an inspiring wall poster or for communicating your brand.
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Melatie Beautiful Script font perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.
This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.
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| Download Melatie Fonts Family From Almarkha Type |
Hello Amelinda is an incredibly unique handwritten font. Masterfully designed to become a true favorite,Hello Amelinda feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.
Searchlight - Modern Calligraphy Font that has a distinctive character that is very thick and elegant to use
Searchlight is a relaxed and flowing Calligraphy Font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive!
Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate
Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu
There it is! I really hope you enjoy it
Blank Moment is a quotable handwritten sans. You can use this font for any project. This font will make your project more natural and humanist. Blank Moment is a nice and never goes wrong choice for your instagram post! This font also contains unique lowercase that will make your project less ordinary. This font also support multilingual.
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Beauty Night Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style.
Beauty Night is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. .
To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).
Thanks You.
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| Download Beauty Night Script Fonts Family From Letterfreshstudio |
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Sweetie Moment – is a Beautiful Script font with a natural handwritten feel. It has sweety swash that are perfect for any creative design. Sweetie Moment has many swash character that functions as a connector with the next letter, perfect for crafters and invitations will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.
This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.
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| Download Sweetie Moment Fonts Family From Almarkha Type |
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Sweetie Banana - is a Cute & Lovely Craft font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.
This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.
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Little Sooner is a special handmade font using the Brush tool. This font is specially designed for children with a full-color style that will enhance the quality of your designs. very suitable for the design of children’s t-shirts, children’s youtube titles, children’s quotes, children’s web, and others.
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Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.
Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.
In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.
Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.
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| Download Glance Sans Fonts Family From Identity Letters |
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JT Collect by OGJ is a Grotesk applied at global sportswear brand NIKE.
Designer and Art Director Interview with Redwan El-Harrak (for Sang Bleu), who played a central role at the Nike LDN Capsule Collection — designed for the 2019 London Marathon.
OGJ: Welcome Red, thanks for taking time for an interview regarding the excellent job you did at the Nike project! Please tell us more about why you chose Collect and how you worked with it.
RED: No problem and thank you for the kind words. Collect was an easy choice to make and was a design decision made pretty quickly actually. The breadth of the Collect family meant that was a lot of different personalities to pick from and I instantly felt that the Max style had a certain energy that aligned perfectly to the Nike brand — in a way it felt like it always belonged to that world once I saw it in the design. The Max Italic in particular added some movement with its inclusion.
Both the Max and Max Italic weights were used for the wordmark and during the design process Maxime Büchi and I realised that the symmetrical N leant itself cleverly as a connector for LDN and RUN.
In the end the concept leant heavily on Collect, with the typeface doing a lot of the work.
OGJ: Can you tell us more about the illustration concept?
RED: Well the illustration was kind of the first starting point of the concept. In my mind I wanted to show London as a deconstructed landscape with the fragments that could fill a runner’s environment, which is experienced in almost a distorted sense due to being on the move. So we have architectural scraps of Big Ben and other quintessential monuments of London sitting on top of humble newsagents and chicken shops.
I knew straight away who I wanted to commission with Stijn Jonckheere and his style essentially being the baseplate of the concept.
Once we had that part of the puzzle figured out, that’s when we moved onto the type work and where Collect also really helped. So on one hand the typeface felt very connected to the Nike brand but also sat well with Stijn’s work and he did an excellent job integrating and embedding it as a graphic device into his airy yet industrial aesthetic.
OGJ: Do you see the other weights being able to work to give different personalities?
RED: Absolutely. It was the biggest draw for me in the first place as part of the design process — it’s really useful to have a type family such as the Collect on hand as it allows me to test ‘personas’ out quickly; changing the weights, playing with the tracking and typesetting etc in order to find the right feeling within some set parameters.
I can see it being applied in a multitude of ways. Ranging from very functional contexts right up to more display led use in editorials and posters. Then you have the possibilities of packaging, branding and so on – if anything kudos to you Oliver for creating such a great family.
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Pair JT Collect with a condensed cut of the Trade Gothic.
With the Caslon.
Pairs also very well with a traditional Chinese, Japanese or Arabic type.
Arachnology Font Family was designed by Omar Sacca and published by Ortho. Arachnology contains 2 styles and family pack...
